By Kirsty Hooper
Arguing that women's perceived silence in this serious interval within the formation of contemporary Iberian identities has major repercussions even this day, it takes her works as a case examine for modeling a thorough rethinking of ways we train and learn the the most important years round the flip of the 20 th century. the 1st examine of Casanova's radical and compelling, yet now forgotten, early narrative, it explores the Galician, Polish and Spanish context of her paintings, arguing that her transnational occupation demonstrates the inadequacies of present versions of nationwide literary heritage. whilst, spotting Casanova's cutting edge and strategic use of literary genres and strategies frequently denominated as 'feminine' (and accordingly excluded from discussions of 'serious' nationwide literature), it presents a version for re-evaluating the great cultural shop of well known and mawkish literature as a key a part of the debates in regards to the transition to modernity, in Spain and beyond.
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A Stranger in My Own Land: Sofia Casanova, a Spanish Writer in the European Fin de Siecle by Kirsty Hooper
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